| |
 |
cineSpace™ on a Journey with Meteor
February 11, 2008
Montreal's Meteor Studios employed its cineSync™ remote review and approval tools and cineSpace™ color management to streamline workflow and keep quality consistent during visual effects creation for the highly-anticipated 3-D movie, Journey 3D... read more >>
|
|
Democratizing DI
November, 2007 (Source: Post Magazine)
There are...lots of "glue products" enabling DI for the masses. Take the inexpensive cineSpace™, for instance...[it] can be used to uniformly calibrate displays in the most hifalutin DI suites. But its rebel nature comes out when it's employed by humbler users. cineSpace™ can capture color readings from digital projectors and CRT or LCD monitors and use the data to generate 3D LUTs that can be loaded into grading tools and LUT processing hardware to achieve film accurate emulation or calibration... read more >>
|
|
Earth gets DI treatment
November, 2007 (Source: Post Magazine)
The BBC documentary feature Earth used cineSpace™ calibrated film previews and custom transforms to preserve subtleties in the beautiful footage and to enable an efficient color grading workflow for multiformat deliverables... read more >>
|
|
Rainmaker chooses cineSpace™ to cover colour calibration
September 26, 2007
Rainmaker Entertainment Inc. has chosen cineSpace™ for colour calibration at its Vancouver facilities. The cineSpace™ colour management suite will be used across workstations and digital screening rooms throughout Rainmaker Visual Effects and Rainmaker Animation for monitor matching and digital film previews... read more >>
|
|
Joined-up Workflow
May/June, 2007 (Source: Showreel Magazine)
With the advent of technologies such as digital intermediate and digital cinematography, one of the key issues facing filmmakers today is controlling the look of their films throughout the production and post workflow, and finding ways of doing it as efficiently and effectively as possible. Learn how cineSpace™ delivers an accurate representation of the final film-out throughout the post-production pipeline... read more >>
|
|
Building the DI Theater
March 29, 2007 (Source: Film & Video)
Digital intermediate (DI) tools have come a long way since their debut in feature films in 2000 and the process is more popular than ever before. Discover how cineSpace™ plays an integral part in bringing colour precision to the DI theatre... read more >>
|
|
da Vinci Systems announces integration of cineSpace™ with Resolve
September 8, 2006
da Vinci Systems has announced the latest cineSpace™ color management option is available for Resolve, allowing those working in a Digital Intermediate (DI) workflow to view on-screen colors precisely as they will look when printed on film. Integration of this state-of-the-art color management technology provides Resolve DI artists the confidence that their color enhancements will precisely translate onto film in a way that matches the director of photography's creative vision... read more >>
|
|
Tippett Studio chooses cineSpace for facility-wide colour management
July 5, 2006
Rising Sun Research, a developer of innovative solutions for dynamic media industries, announced today that Tippett Studio has chosen cineSpace™ for facility-wide colour management. The cineSpace™ colour management suite enables end-to-end pipeline calibration across multiple platforms and applications... read more >>
|
|
cineSpace gets in the mix with ASSIMILATE SCRATCH
April 23, 2006
ASSIMILATE and Rising Sun Research announced today the qualification of Rising Sun's cineSpace™ Color Management System for use with its SCRATCH Data-Centric Workflow Solution, the essential mix for data-centric, resolution-independent workflow... read more >>
|
Archive >>
|
